Author Archives: ochippie

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Movie Review – The Ghost and the Darkness

Category : Movie Review

Director: Stephen Hopkins

Starring: Val Kilmer, John Kani, Om Puri

Year: 1996

The Ghost and the Darkness is a true story, and an amazing one at that, one that has captured the rapt attention and morbid imagination of decade after decade.  Once you watch the movie, read up on the story; they stick fairly close to true events and what really happened is pretty remarkable.  The lions are on display today at the Field Museum in Chicago, and although the tale makes me feel sad for the animals, the daring struggle against them is still an impressive feat.  Picking Val Kilmer to play John Henry Patterson was a risk (though at the time he was a big star) because he isn’t a very good actor, but he reaches way down for this one, and pulls out something unexpectedly great, leading to a film that may surprise.

In 1898 in Kenya, a British railway approached the Tsavo River, where engineers were called upon to build a bridge quickly, efficiently, and on schedule.  An Irishman, Colonel John Henry Patterson, was named Chief Engineer of the project, and work began.   But soon after his arrival, two unwelcome guests were also spotted at the camp; a pair of male lions who hunted and terrorized like no other animals that had been seen in the area before.  They invaded the camps, hunted as a duo, dragged off live men, returned again & again, and seemed to be demons rather than animals, devils rather than beasts.  Patterson, an expert hunter, thought he could handle the situation, but as the death toll mounted so did the pressure to finish the project, his own life & the lives of the workers be damned.  What ensued was an epic battle between man & monster where the rules of nature seemed not to apply.

It’s hard to completely put the animal part aside; killing lions just to build a railway isn’t cool.  Also, this is basically slave labor, British Empire bullshit, and corporate greed, so there’s not a lot to root for on the side of the humans in the story.  BUT, watching it as a film, an adventure, a true tale that has history to show us, there is still a ton to enjoy.  Maybe the most surprising among that list being Val Kilmer, who isn’t usually any good, but works perfectly here.  He’s invested, he’s intense, he’s a good casting choice, and he works; I wish I could say the same for Michael Douglas.  He headlines a name side cast (Tom Wilkinson, Bernard Hill, Emily Mortimer), but he is absolutely awful in his 15 minutes in this movie.  His only saving grace, as I watched the film this time around, is that …maybe he’s not real?  I don’t think he’s real in history, and part of me sees him as a side of Patterson, not an actual man, evidenced by a few key lines and moments that really make you pause and wonder.  Doesn’t really matter though, his acting is terrible, when no one else’s is.  The main cast holds its place well though, the music is phenomenal, the lions are terrifying; this is a great film in waiting, with a few key elements stopping it from fulfilling that promise fully.

My rating: ★ ★ ★ ★ ☆

 


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Movie Review – An American Werewolf in London

Category : Movie Review

Director: John Landis

Starring: David Naughton, Jenny Agutter, Griffin Dunne

Year:1981

Every horror film should be this simple, and every one should star Jenny Agutter.  I fell for her in Logan’s Run, and her demeanor is perfect for this film as well, that wide-eyed wonder with a level of coolness to smooth it out, and that perfect voice to make it magic.  An American Werewolf in London is a near-perfect genre flick, a timeless marvel, and an example of how to do things right, which starts with the correct cast and ends with a bang.  This is plethora of movie marvels on display in one place, an icon that we who love the style should revisit often to help us remember what it is filmmakers should be making.

David & Jack are two Americans traveling through northern England on an adventure of a lifetime.  Little do they know how short those lives will be, as they run afoul of a werewolf on the moors near a strange town with a dark secret.  Jack is killed, David is merely injured, but he’s changed in some way, with haunting nightmares and waking dreams.  He falls hard for the nurse who cares for him, and she feels the same, but when he tries to warn her that he may be dangerous at the next full moon, she dismisses it as a side effect of his trauma.  Some side effect; beware the moon.

Horror done right and rarely matched, An American Werewolf in London is about as solid as they come.  It might slow down just a little near the end, but that’s when the creature is featured, and I guess that simply paused the human element of the story, because of course it did.  Speaking of the creature, those effects are haunting, so creepy, and you dread watching the change happen.  The acting is surprisingly good, the mood is twisted, it’s funny at odd moments, and strangely touching at others; just a well-made feature featuring gore and heart in equal measure.  This is a must-see for horror fans (or film fans) if ever there was one.

My rating: ★ ★ ★ ★ ★

 


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Movie Review – Pinocchio (2019)

Category : Movie Review

Director: Matteo Garrone

Starring: Federico Ielapi, Roberto Benigni, Marine Vacth

Year: 2019

We all know the story of Pinocchio because of Disney, if not because of the original story, which was written in Italy in 1883.  Like other Grimm-style fairy tales, the original Pinocchio is very different from the Disney version, very dark and disturbing and even a little hard to follow, since it’s so full of allusions and commentaries on society at the time it was written.  This more-authentic, Italian version is much more “realistic” and more in keeping with the book, which will weird out a lot of audiences.  It’s a combination of Amelie, Tale of Tales, and …Cats? …with an unusual but intriguing style that just might catch your applause.

The poor woodcarver Geppetto has absolutely nothing, not even a crust of bread to eat, and he doesn’t know where his next meal will come from.  When a puppet show rolls into town, he begs a block of wood from a friend, with a thought to carving a wonderful marionette for the show, the best puppet the world has ever seen.  What he creates, however, is more than he bargained for, as the little wooden boy begins to speak.  Naming his son Pinocchio, Geppetto vows to be a dutiful father and sends his boy to school.  But Pinocchio is new to this world, easily tricked and easily turned from the narrow path.  He will have to learn fast, lose his selfishness, and commit to following the rules, if he ever wants to become a true human and a real boy.

I did not know that the director of this film was also the director of Tale of Tales when I made the comparison in my mind for the first time, though it seems obvious now.  It’s just a bizarre tale, a classic with dark twists, and a little humor thrown in to offset the despair.  And I know Amelie is French, this is Italian, but that European daring is on full display here, complete with dreams and fairies and animals and imaginings, until you lose yourself completely within this world.  Benigni is a master, all the characters are lushly painted, the Cat & Fox were my favorites, the music was excellent, the artistry wonderful, and the entire film feels like a blur of feeling and experience, in a good way.  This may not be what you are used to, but I think it has the potential to successfully trap a lot of people who didn’t see its quality coming.

My rating: ★ ★ ★ ★ ☆

 


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Movie Review – Sonic the Hedgehog

Category : Movie Review

Director: Jeff Fowler

Starring: Ben Schwartz, James Marsden, Jim Carrey, Adam Pally

Year: 2020

I played my fair share of Sonic games growing up; my favorite was Sonic 3 for Genesis, where they were on the island finding Chaos Emeralds, with the help of Tails but the hindrance of Knuckles.  Great games, great characters, much fun had.  But, really, I wasn’t excited about a cash-grab film that was only built to con people my age out of their money, simply because we can’t help being nostalgic.  It didn’t look great, the animation debacle was weird, I don’t know, didn’t have high hopes.  However, my son & I watched it, we laughed uproariously, and despite not being a perfect movie, I have to say that Sonic was super cool.

Living on a paradise planet far from Earth, Sonic the Hedgehog has powers that need to be protected, because evildoers always wants more power than they can create themselves.  So Sonic goes on the run through the universe, using rings to travel to other places at will.  Now in the U.S., he tries to lay low, but his loneliness is eating away at him, and this leads to a mistake that draws far too much attention.  Sonic now needs a true friend; enter Tom, the local cop.  Also enter some seriously sinister government agents and their hired hound, Dr. Robotnik, who will stop at nothing to see the blue devil destroyed.

Weirdly enough, I didn’t like Sonic at all, but I still liked Sonic as a whole.  The little guy was actually pretty annoying and not that funny, mirroring Ben Schwartz I guess, who I can’t take for long periods of time.  But, surprisingly, the rest of the movie was really fun, from Tom the Cop to Wade the Deputy.  It was Jim Carrey who stole the show though, predictably I guess; he’s such a comedic genius.  I know, sometimes he can be a bit much too, but he wasn’t here; here he was just right.  The moral was nice, the pace was quick, the jokes were frequent; a nice kids’ movie with some nice parents’ memories, if not a stellar piece of cinema.

My rating: ★ ★ ★ ☆ ☆

 


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Movie Review – In the Heights

Category : Movie Review

Director: Jon Chu

Starring: Anthony Ramos, Melissa Barrera, Olga Merediz

Leslie Grace, Corey Hawkins, Gregory Diaz, Jimmy Smits

Year: 2021

In the Heights is a bad play made into a bad movie, and early opinions otherwise have a very strong Emperor’s-New-Clothes smell about them.  Lin-Manuel Miranda created Heights early in his career, and it won some accolades, moving from off-Broadway to Broadway, picking up some awards, and traveling around.  It wasn’t until Hamilton that he struck gold and became a household name, but Heights was his stepping stone, and for that it deserves respect.  But that doesn’t make it quality theatre, and any slightly discerning observer should be able to pick out its problems with ease.  That critics were gushing about the film version as soon as the embargo lifted and they were allowed to do so felt funny at the time, but makes sense now; no one wanted to be the first one to shout out that the king of modern musicals had embarrassed himself.

Usnavi runs a bodega in New York City, in his neighborhood of Washington Heights.  He dreams of someday going back to the country his family came from, opening up a shop there, and beginning a better life.  But when he thinks about what he has in NYC, he knows he will miss the music of the streets and the smiling faces of its people: Sonny the boy he employs and protects, Vanessa the girl he secretly loves, Benny his best friend, Nina the smart girl who carries the hopes of the whole neighborhood on her shoulders, Abuela Claudia the grandmother who is a mother to them all.  There’s a rhythm to the city that’s amazing, a color that’s so vibrant, made up of all the immigrant families who have made this city their home and have carved out a piece of ground for their children, and it will be hard for Usnavi to give that up for a chance at something else.

I am grumpy about Hamilton, I will admit that out front.  I’m not trying to be a nonconformist or a contrarian, I simply don’t think it’s amazing.  I like it, it’s good, it’s smart, but it’s no masterpiece, no Sondheim, and no so many other musicals that came before and are so much better.  People who spend hundreds of dollars on Hamilton tickets but have never seen a Broadway Across America production make me physically angry, and I guess some of that ire gets directed at Miranda, who is in no way a master.  His only other shows are In the Heights and Bring It On: The Musical, and they simply aren’t good, you can quickly see that for yourself if you aren’t blinded by the unique qualities of Hamilton.  Even those seemingly original pieces can be heard in Heights, an experiment that took him where he wanted to go, which, I guess, is a reason to give it credit, but not to pretend that it’s quality.

In the Heights, the movie version, is simply a mess of scenes, songs, and sundry, a musical that’s almost not a musical since you literally can’t repeat any single song after you stop watching the film; they all disappear into the thin air they were born from.  Not only are the songs weak and unsupported, but they are scattered at random, placed into the action at random, are sometimes sung, sometimes spoken, sometimes rapped, until audiences aren’t sure what kind of show they’re watching, or if it’s even a show underneath all the color of the story arc.  You will like the main character, he is designed that way, and you will like the beauty of the moments described; Miranda at least has a talent for awing us when he puts his mind to it.  But this movie doesn’t offer much else; the acting is awful, the pace is slow, the progression seems unedited, the side plots are overwhelming, the love stories feel fake, and it’s simply a slog to get through, making two and a half hours seem like a lifetime.  I may not like Hamilton as much as the rest of you, but I promise I was open to liking Heights; it just didn’t deserve it.

My rating: ★ ★ ☆ ☆ ☆

 


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Movie Review – Lifeforce

Category : Movie Review

Director: Tobe Hooper

Starring: Steve Railsback, Mathilda May, Peter Firth

Year: 1985

Lifeforce is a surprisingly good piece of sci-fi camp, with so many different genres thrown together it’s hard to decide which one comes out on top.  It’s science fiction, it’s horror, it’s vampires, it’s zombies, it’s gothic, it’s modern; it’s a little bit of everything all rolled into one wild time, and I guess that’s what makes it unique enough to have stood the test of time.  It’s still a film aficionados reference & adore, and it’s definitely one that I didn’t “get” the first time I watched it, but one that I thoroughly & gladly appreciate now.

A space shuttle called Churchhill, under command of British & American governments, embarks on a mission to investigate Halley’s Comet, where they make a strange discovery; a starship hidden in the tail of the phenomenon.  In the ship are alien animal bodies, all dead, except for three nude humans, frozen in time, which the crew of the Churchhill take on board.  Somewhere on the journey back to Earth, something goes terribly wrong, because all that reaches home is an empty vessel, but for the three seemingly lifeless bodies.  Well, they have a life alright, it’s just biding its time, and when they awake mthe city of London is turned into a war zone, as these monsters from space try to steal our souls from our very bodies, and as the fate the planet teeters on a razor’s edge.

It’s a space movie with a space mission, it’s a vampire flick with deadly, beautiful creatures, it’s a zombie movie with a raging disease, it’s a horror film with tons of terror, it’s a creature feature with physical effects; Lifeforce is a little bit of so much, and that’s probably what makes it so good.  It might plod along a bit, the story might be silly, and the human element is suspect, as these actors aren’t incredible (except for a cameo by Patrick Stewart), but the way you feel immersed within this film is a sign of something special, and the way you feel the plot so physically is fairly unique.  Naked vampires, desiccated corpses, evil exorcisms; it’s a pretty wild ride, and maybe it would help if you could laugh at the more ridiculous parts when they pop up, but generally Lifeforce is a powerhouse of its genre (whichever genre that is) and a movie to study with interest.

My rating: ★ ★ ★ ★ ☆

 


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Movie Review – The Outlaw Josey Wales

Category : Movie Review

Director: Clint Eastwood

Starring: Clint Eastwood

Year: 1976

Josey Wales is the quintessential Western, and what’s more it has a back story, which is so often forgotten in the genre.  Usually it’s just a town, a man, a family, a cabin, a journey, a bounty, something of that nature, but Josey Wales adds all elements together, but not before introducing us to the main character in a way that’s not often exhibited.  That’s what makes this such a special Western; the time taken to teach us about this flawed hero, to progress him through a personal history, then to submerge him in the guns-blazing action we’re accustomed to.  This is the definition of a classic, and it doesn’t seem to age at all.

As the Civil War comes to an end, guerilla warfare still rages along the border states, and Missourian Josey Wales sees his house destroyed, his wife & son murdered, and his life altered by a a group of Union soldiers who Confederates see as nothing more than savages & pillagers.  With nothing else to live for, Josey chooses revenge, and joins up with a Rebel band who take the unruly fight to the North.  But the war ends, even Josey’s unit is forced to surrender, and he becomes an outlaw, a hunted man on the run from foe & former friend.  He finds himself on an adventure across the United States, meeting a variety of folks, as he violently tries to escape the horrors of the past.

You could make a case that, especially knowing what we know about Eastwood now, this film is a little “South apologetic”, a little “the good ol’ boys just wanted to be left alone”, and that’s problematic.  But, also, this is fiction, this is a character, if he was pushed toward killing, if he’s a flawed hero, if he fought for the South, those are all just elements of something made up, and looking at it from that point of view helps you see a Western done right, even if it may also be a Western done Right.  I remember this movie from my younger days, I loved it then for what it did correctly, and I appreciate it now for the same reason; it didn’t change, age, or spring leaks.  Josey Wales is a great example of its genre, but even better than most, with more story, more character, more movement, and with an epic story well-told.

My rating: ★ ★ ★ ★ ☆

 


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Movie Review – Luca

Category : Movie Review

Director: Enrico Casarosa

Starring: Jacob Tremblay, Jack Dylan Grazer, Emma Berman

Year: 2021

Luca is enchanting, delightful, and fun; it may not be Inside Out or Coco, but, then again, what is?  Just because it isn’t the best thing Pixar has ever made does not mean it’s the worst, far from it, and our standards must be getting ridiculously high if this is what we call “bottom tier”.  I agree that many recent films, stifled by the pandemic, have come out flat and/or unpolished, but I don’t think we should quickly kick Luca into that group, simply because it isn’t WALL-E.  What it does have to offer is enough energy to sufficiently stimulate most audiences, and also enough heart to carry three animated films to the finish line, let alone one.

Luca is a sea monster who lives off the coast of an Italian village and who longs to see what’s topside.  His family strictly forbids it, but he’s curious as to what’s up there; human world, human stuff, humans themselves.  “Helped” by a fellow sea creature named Alberto, Luca reaches the surface, where his kind instantly take on human form, at least until they are covered by water again.  He discovers that all his dreams were realities, that Earth has so much beauty to offer.  Luca & Alberto soon become fast friends, but jealousy will rear its ugly head when a girl named Giulia makes the duo a trio.  True friendship isn’t easy to keep alive, it takes sacrifice & care, and sometimes cheering on an opportunity that might take your friend out of your life.

Call me a softy, but Luca touched my heart, with its story of friendship, sacrifice, and doing what’s right.  It’s a great & simple tale, easy to watch, easy to love, and not demanding of its audiences; I guess there are times when I would critique a film for being too basic and not forcing us to think, but I honestly didn’t feel that same vibe here, I took Luca as a chance to simply feel.  The backdrop, the music, the mood, the ease; it was so lovely to watch, such an enveloping presence of emotion and passion.  I could have done without Luca’s parents, they were pretty unnecessary, and even perhaps the “villain”, but I loved his friends and their partly-complicated relationship, the trio was strong enough that I was invested in how they would solve their problems and they became all I really cared about.  Ultimately, it’s a story about being different, but how that’s OK, because those who accept you for who you are will become those who matter, and those who don’t can go kiss a fish.

My rating: ★ ★ ★ ★ ⭐︎

 


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Book Review – To Kill a Mockingbird

Category : Book Review

Author: Harper Lee

Year: 1960

This summer, as a companion to walking our puppy, my daughter & I decided to read a book while we trotted around the neighborhood.  She’s older than my son, so I wanted it to be something a little more mature, something she would like but perhaps he wasn’t ready for, something I could explain when it got heavy, and To Kill A Mockingbird was the perfect choice.  It’s a timeless story than not only transports the reader to a geographic area & a historic period, but also pushes us to answer some awful questions & face some ugly truths.  As relevant today as it was in the 60s when it was published or in the 30s when it was set, it’s a tale of community & of color, of one girl’s growing up, and of an entire nation’s radioactive racism.

Scout & Jem Finch live with their father in Maycomb, Alabama during the Great Depression.  He is a lawyer, they are school children, they love their tiny town, and they age among its simple folks, its old traditions, and its hidden hates.  The Finch children, along with a new friend named Dill, dream of spotting a reclusive neighbor called Boo Radley, and attempt to get him to come out of his house, all while the real world revolves around them.  Their father, Atticus, takes on a very important case, defending a black man accused by a white man of raping his daughter.  The case becomes a microcosm of the racial injustices of the South, and the inherent evil that lies under the mild- & well-mannered country folk who either know not what they do or simply do not care.

What a great read and a great opportunity to talk about these themes with my daughter, to read aloud to her a wonderful piece of fiction but one that also has so much real to say.  Growing up with Scout is a one-of-a-kind experience, but seeing the South through her eyes is special too, and hearing her father’s words is a blessing, learning that to kill a mockingbird is the greatest sin, because destroying something weaker than yourself, something that only wants to be loved, is a terrible crime.  That idea ties in with Boo Radley perfectly, and is rounded out by Atticus’ case, all the story arcs coming together to form one beautiful mosaic.  My daughter absolutely loved the book, I adored it all over again, and can’t wait to revisit it when my son gets a little older.

My rating: ★ ★ ★ ★ ★

 


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Movie Review – Blast from the Past

Category : Movie Review

Director: Hugh Wilson

Starring: Brendan Fraser, Alicia Silverstone, Dave Foley

Year: 1999

Blast from the Past; or, more appropriately titled, The Movie That Alicia Silverstone Ruined.  Because 90s Brendan Fraser was actually pretty fun, and 2000-y Brendan Fraser was actually kinda good, The Mummy and Bedazzled being quiet favorites of mine.  Blast from the Past should have worked because of Fraser and because it was funny; double, single, men on base, ready to smack a homer and drive them in …except along comes Alicia Silverstone.  Hollywood quickly realized that she wasn’t an actor, she was a child who men fantasized over, and when that bubble burst, the 6-year dream window was over.  Not her fault, but also not fun for those of us just trying to watch a movie that could have been great but was royally screwed by her lack of ability.

In the 60s, in the heart of the Cold War, Americans were preparing for a nuclear battle with Russia, with Cuba, with anyone, and it seemed only a matter of when, not if.  Some, Calvin Weber included, built his family a fallout shelter in case of emergency, and his paranoia pushed him to make it fairly …extensive.  This underground bunker was like a second home, and could be sealed off for years, which it was one night when he & his wife went down, convinced that a bomb was just dropped on their house.  Turns out it was just a downed plane, but they didn’t know that, and 35 years later they are ready to emerge.  Well, actually, they send their son Adam, who was born in the bunker and knows nothing about life topside.  But he’s about to find out, and he’s about to fall in love to boot, which will be an experience he certainly isn’t ready for.

The beginning of this movie is incredible.  The set up, the shelter, the 60s charm, the impending years of lockdown, the processes Calvin put in place, the boredom his wife dreads, the aging of their son, and the young man he becomes.  It’s all great, pretty funny, very lovable, and even the emerging is entertaining, when Adam sees the world for the first time.  Fraser is a pro, his parents are Christopher Walken and Sissy Spacek, it all just works in a late-90s kind of way, and I laughed out loud numerous times.  But then, enter Alicia, who is problematic at best.  She burst onto the Hollywood scene because she was beautiful, became an icon, got in some Aerosmith videos, and then people realized that, oops, she couldn’t act.  This would be her last big thing, the only film she ever did well was Clueless, and the world would move on.  But meanwhile, she would take the time to ruin Blast from the Past.  She is beyond awful, doesn’t work, can’t mesh, and just messes it up, destroying what could have been a classic comedy and making it forgettable instead.

My rating: ★ ★ ★ ⭐︎ ⭐︎